In Creative Understanding, Roberto Torretti lays out a classification of possible relationships between physical theories by distinguishing four big types of relationships between two given theories considered in diachronic perspective: specialization, extension, reformulation, and substitution. Within the structuralist metatheory, this author and others also have propounded in several writings a diachronic typology of intertheoretical relations. Leaving besides differences of detail, both typologies reveal remarkable coincidences, although the structuralist typology is formally more precise than Torretti’s. However, in the last portion of (...) this article, I discuss a further type of intertheoretical relation in diachronic perspective, which, until recently, had not been considered by any approach in philosophy of science: what I call “crystallization” and is exemplified by the development of thermodynamics in the 19th century. (shrink)

BackgroundPreprint usage is growing rapidly in the life sciences; however, questions remain on the relative quality of preprints when compared to published articles. An objective dimension of quality that is readily measurable is completeness of reporting, as transparency can improve the reader’s ability to independently interpret data and reproduce findings.MethodsIn this observational study, we initially compared independent samples of articles published in bioRxiv and in PubMed-indexed journals in 2016 using a quality of reporting questionnaire. After that, we performed paired comparisons (...) between preprints from bioRxiv to their own peer-reviewed versions in journals.ResultsPeer-reviewed articles had, on average, higher quality of reporting than preprints, although the difference was small, with absolute differences of 5.0% [95% CI 1.4, 8.6] and 4.7% [95% CI 2.4, 7.0] of reported items in the independent samples and paired sample comparison, respectively. There were larger differences favoring peer-reviewed articles in subjective ratings of how clearly titles and abstracts presented the main findings and how easy it was to locate relevant reporting information. Changes in reporting from preprints to peer-reviewed versions did not correlate with the impact factor of the publication venue or with the time lag from bioRxiv to journal publication.ConclusionsOur results suggest that, on average, publication in a peer-reviewed journal is associated with improvement in quality of reporting. They also show that quality of reporting in preprints in the life sciences is within a similar range as that of peer-reviewed articles, albeit slightly lower on average, supporting the idea that preprints should be considered valid scientific contributions. (shrink)

Born on October 26, 1946, Carlos Ulises Moulines studied Physics, Philosophy and Psychology at the University of Barcelona, obtaining a Degree in Philosophy from that same University and a PhD in Philosophy from the University of Munich, supervised by Wolfgang Stegmüller. He is one of the most outstanding contemporary philosophers of science and one of the most prominent exponents of metascientific structuralism. In this interview he talks about biographical aspects, philosophy of science in general and specific topics, as (...) well as presenting his impressions on some topics related to academic life. (shrink)

In this paper, I discuss the similarity between Wittgenstein’s use of thought experiments and Relativity Theory. I begin with introducing Wittgenstein’s idea of “thought experiments” and a tentative classification of different kinds of thought experiments in Wittgenstein’s work. Then, after presenting a short recap of some remarks on the analogy between Wittgenstein’s point of view and Einstein’s, I suggest three analogies between the status of Wittgenstein’s mental experiments and Relativity theory: the topics of time dilation, the search for invariants, and (...) the role of measuring tools in Special Relativity. This last point will help to better define Wittgenstein’s idea of description as the core of his philosophical enterprise. (shrink)

La dialettica tra componenti ideali e materiali delinea in maniera evidente un oggetto medioevo che esiste solo come oggetto mentale, intenzionale, e per questo si presta a ogni possibile distorsione.

This article describes the Ethics and Citizenship Program, a moral education project developed by the Brazilian government to promote education in ethics and citizenship in Brazilian fundamental and middle schools through four key themes: ethics, democratic coexistence, human rights and social inclusion. Some findings from a research project that investigated whether such a program did in fact promote the ethical and citizenship awareness of participating students are outlined. As an introduction to the paper's main concerns, the Brazilian socioeconomic context is (...) characterised, followed by a description of the historical background of moral education in Brazil. (shrink)

RESUMO Mudanças políticas têm intensificado os debates sobre como certos discursos estabelecem agendas e influenciam eleitores. Nesse escopo, a Análise Crítica do Discurso e a Linguística Sistêmico-Funcional, juntamente com o arcabouço teórico-metodológico da Avaliatividade, demonstraram ser bem-sucedidas na investigação da ideologia em textos, bem como na abordagem de tópicos como a polarização política. Portanto, a presente pesquisa tem como objetivo analisar a avaliação social da Teoria da Avaliatividade como um dispositivo ideológico e persuasivo nos discursos de nomeação de Clinton e (...) Trump, em 2016. Os resultados enfatizam usos de estratégias retóricas que podem levar os eleitores à preferência de certos conjuntos de valores e crenças. A análise revelou que, naqueles discursos, os candidatos usaram estratégias diferentes para persuadir os eleitores, construindo abordagens discursivas ideológicas negativas e positivas, aplicando a avaliação social como estratégia retórica central. ABSTRACT Political changes have been intensifying debates about how certain discourses set agendas and influence voters. In this scope, Critical Discourse Analysis, Systemic-Functional Linguistics, and together with the theoretical and methodological framework of Appraisal have proved to be successful in investigating ideology in texts, as well as addressing topics such as political polarization. Therefore, this research aims to analyze the Appraisal’s social evaluation as an ideological and persuasive device in Clinton-Trump nomination speeches in 2016. Outcomes raise awareness over rhetorical strategies that can lead voters to the preference of certain sets of values & beliefs. Results revealed that then-candidates used different strategies to persuade electors by constructing negative and positive ideological discursive approaches by applying social evaluation as a pivotal rhetorical strategy in those speeches. (shrink)

Chaque fois que nous "donnons forme" à quelque chose, cette représentation nous figure, par signes, l'objet évoqué, mais nous confirme également qu'il ne s'agit que d'un simulacre. D'où le besoin, à chaque époque, de créer du vivant pour pallier cette déception : tel est le sens du mythe de Pygmalion. Ce livre s'organise donc autour de deux pôles : d'un côté la nécessité de figurer, et de figurer l'acte même de la perception (voir le chapitre "Un oeil immense artificiel") ; (...) de l'autre, l'impératif de dépasser le signe. Il s'agit d'un défi radical, qui concerne l'avenir même des arts. C'est la raison de ce titre, A vif, qui témoigne d'un "coup d'oeil" : un regard et une incision pratiquée à vif dans l'objet, un désir de définitif qui ne caresse plus la forme, mais qui pénètre, met à nu, éviscère dans les paroles et dans les actes. Dedans et derrière l'oeil, comme dans l'un des plus impassibles traités d'anatomie du Cinquecento. Aujourd'hui, est-il encore vif notre oeil qui cherche le vivant? N'est-il pas lui-même défiguré par l'informe qui s'est logé en nous? Où est la pupilla viva qui illumine le Paradis et qui, de Dante à Baudelaire, a animé, de longs siècles durant, tant de quête mentale? Il faut remonter à ces origines, parcourir les espaces séculaires et sidéraux dans lesquels le cosmos était ordre, beauté, compréhension ; où, justement, il était nécessaire de "captiver les yeux pour avoir l'âme". Cet essai se voudrait une parabole déployée au fil de l'ardente soif humaine d'"exorbiter", de brûler la distance du point de vue, pour accéder, maintenant et à jamais, au vivant. (shrink)

O texto procura reconstruir os principais momentos da crítica de Schelling à chamada teologia ortodoxa de Tübingen. Em sua correspondência com Hegel, bem como em seus textos de juventude, Schelling procura mostrar ao amigo por que essa sua crítica à teologia se liga ao fato de ele ter “se tornado um espinosista”, o que insere o debate na chamada querela do panteísmo, iniciada pelo livro de Jacobi sobre Espinosa. Embora, em sua maior parte, siga o caminho de Fichte na interpretação (...) da obra de Jacobi, Schelling ousa ir além do autor da Doutrina-da-ciência ao igualar Deus ao eu absoluto. (shrink)

O artigo, num primeiro momento, busca contextualizar as condições de surgimento do ensaio Dois poemas de Friedrich Hölderlin, de Benjamin, recorrendo a alguns fatos históricos, como a morte de seu amigo Fritz Heinle e Nobert von Hellingrath. Ligadas ao estopim da Primeira Guerra Mundial, tais mortes representam para Benjamin a morte de toda uma geração de jovens, na qual ele havia depositado toda a esperança de renascimento da cultura alemã. A leitura que faz de Hölderlin, nesse sentido, tem um fim (...) político, ao procurar combater uma interpretação esteticizante de seus poemas, influenciada pelo círculo de Stefan George. Num segundo momento, o artigo aprofunda a leitura do ensaio de Benjamin sobre Hölderlin, buscando definir o conceito de “poetificado” como conceito central de sua crítica de arte, evidenciando em que medida esse conceito lhe serve como contraposição às leituras provenientes do círculo de George, entre elas, a do próprio Hellingrath. (shrink)

In der anonym überlieferten Schrift Masā'il ʻAbdallāh ibn Salām (Die Fragen des ʻAbdallāh ibn Salām), befragt ein jüdischer Gelehrter den Propheten Muḥammad, um herauszufinden, ob dieser ein echter Prophet sei. Die Fragen sind mannigfaltig: Es geht um die Definition des Glaubens, die verschiedenen Arten der Offenbarungen, die Schöpfung der Welt und des Menschen, die Stellung von Mann und Frau in der Welt, die Engel, das Jüngste Gericht. Nachdem Muḥammad alle Fragen korrekt beantwortet hat, nimmt der Gelehrte den Islam an und (...) erhält vom Propheten den neuen Namen ʻAbdallāh ibn Salām (Diener Gottes, Sohn des Friedens).Der Text bietet eine praktische Zusammenfassung islamischer Lehren und volkstümlicher Traditionen und verbreitete sich deshalb sowohl innerhalb als auch ausserhalb der islamischen Welt. Er wurde u.a. ins Persische, Türkische, Urdu, Tamil und Malayische übersetzt. Im 12. Jahrhundert wurde er ausserdem unter dem Titel Doctrina Mahumet ins Lateinische übertragen, die spätere Grundlage für Übersetzungen in europäische Volkssprachen.Ulisse Cecini legt erstmals den arabischen Text in einer kritischen Edition mit deutscher Übersetzung und einer ausführlichen Einleitung zur Geschichte, Bedeutung und Überlieferung des Textes vor. Im Anhang findet man die kritische Edition und die deutsche Übersetzung der lateinischen Version Doctrina Mahumet, verfasst von Reinhold F. Glei und Concetta Finiello. (shrink)

There is no concept, no matter how strange, in which human beings are not willing to believe fervently, so long as it offers some comfort from the knowledge that one day they will no longer exist, so long as it gives him them hope of some form of eternal life. Norbert Elias1.

O parágrafo 62 da Crítica do Juízo, cuja função é definir o conceito de conformidade a fins objetiva (objektive Zweckmässigkeit), começa com uma declaração do filósofo segundo a qual todas as figuras geométricas se relacionam com uma conformidade a fins objetiva e admirável. Embora não seja aqui essencial para a definição do princípio dessa conformidade a fins, a afirmação de Kant de que ela é muitas vezes digna de admiração exerce um importante papel para a sua própria definição. O objetivo (...) deste texto é tecer algumas considerações em torno dessa relação entre o princípio estritamente lógico da conformidade a fins e o sentimento em geral, seja de admiração da natureza, ou em todas as suas variações, tais como aparece na sequência do mesmo parágrafo 62: o entusiasmo, a alegria e a estupefação. Embora de antemão se reconheça que tais sentimentos não podem intervir no mecanismo estritamente lógico desse princípio, que, segundo Kant, é transcendental, pretende-se mostrar como o seu uso relaciona-se sempre e de algum modo com um sentimento. Para isso, é preciso mostrar que a afirmação de Kant segundo a qual o juízo teleológico não possui nenhuma relação com o sentimento de prazer e desprazer não implica necessariamente que esse tipo de juízo não possua relação nenhuma como nenhum tipo de sentimento. (shrink)

RESUMO O artigo pretende mostrar como o esforço de Benjamin no sentido de fundar uma nova crítica de arte remonta ao mesmo tempo ao primeiro Romantismo de Iena e à Filosofia de Hegel. Enquanto Hegel proclama o fim da estética e da obra de arte tradicional, os românticos, na figura de F. Schlegel e Novalis, apontam para a continuação de um discurso filosófico da arte que prescinde dos pressupostos tradicionais, utilizando-se de conceitos tais como crítica imanente e médium-de-reflexão. A partir (...) disso, o artigo procura mostrar como essa dupla herança permanece ao longo das principais obras de Benjamin, com destaque para o “Drama trágico alemão” e a obra das “Passagens”, em cujo centro se situa o conceito de montagem. Por fim, recorrendo à influência marxista, o texto esboça algumas consequências políticas dessa crítica de arte que, desenvolvida desde a juventude, permanece nos textos de maturidade. ABSTRACT The article aims to show how Benjamin's effort to found a new art criticism goes back to the first romanticism of Iena and to Hegel's philosophy. While Hegel proclaims the end of aesthetics and of the traditional work of art, the romantics, in the figure of F. Schlegel and Novalis, point to the continuation of a philosophical art discourse that ignores the traditional presuppositions, using concepts such as immanent criticism and medium-of-reflection. Based on that, this article seeks to show how this double heritage remains throughout the main works of Benjamin, especially the “German Tragic Drama” and the work of the “Passages”, at the center of which is the concept of montage. Finally, resorting to Marxist influence, the text outlines some political consequences of this art criticism that, developed from youth, remains in the texts of maturity. (shrink)

ABSTRACT This article intends to study the concepts of forgetting and remembering in Kafka’s literature, based on Walter Benjamin’s interpretation. In addition to the well-known essay “Franz Kafka: on the tenth anniversary of his death”, other lesser-known essays by Benjamin on Kafka will also be covered, such as “Knight moral” and “Franz Kafka: On the construction of the Chinese wall”. The aim of the article is not only to expose Benjamin’s interpretation of Kafka, but also to show the extent to (...) which Kafka’s work illuminates central points of Benjamin’s thought, especially with regard to the categories of forgetfulness, remembrance, negativity and criticism of notion of progress. (shrink)

O presente texto procura identificar alguns padrões da leitura benjaminiana de Baudelaire e Hölderlin. Em ambos os poetas, Benjamin ressalta um mesmo tema: a crise da poesia lírica em tempos modernos de industrialização. Baudelaire e Hölderlin, segundo Benjamin, procuram transpor a forma poética lírica em uma poesia prosaica, mais afeita ao homem moderno citadino e industrial, marcado pelo embotamento da percepção por meio do trabalho da consciência e da memória voluntária. Somente o recurso à poesia prosaica e alegórica é capaz (...) de falar ao homem das grandes cidades. Num segundo momento, o texto procura trazer à tona alguns paralelos dessa interpretação com o teatro épico de Brecht. Aponta-se para a possibilidade de identificação do gênero da poesia prosaica com o gênero épico, no sentido de que este último visa igualmente a uma crítica da obra de arte como bela aparência. (shrink)

RESUMO: Partindo de uma leitura da peça Um inimigo do povo, de Ibsen, o presente texto procurará definir o livre-pensador como aquele que se opõe ao pensamento ou aos pensamentos dominantes, ousando pensar por si próprio. Ao fazê-lo, o livre-pensador se sacrifica, cometendo uma espécie de suicídio, proveniente de seu amor incondicional pela sua comunidade. A partir da definição de Ibsen, o artigo procurará alguns exemplos na história do pensamento que a corroborem, como Sócrates, Galileu e Espinosa. No caso da (...) arte, o texto tecerá algumas considerações acerca da transposição dessa condição do livre-pensador para o teatro, como acontece com o Galileu, de Brecht, e A morte de Empédocles, de Hölderlin. Ao final do texto, pretende-se mostrar que também Nietzsche possui uma concepção a respeito do livre-pensador, o qual deve se tornar atemporal e póstumo. ABSTRACT: Starting from a reading of Ibsen's An Enemy of the People, the present text will seek to define the free thinker as one who opposes the dominant thinking or thoughts, daring to think for himself. In doing so, the free thinker sacrifices himself, committing a kind of suicide out of his unconditional love for his community. Based on Ibsen's definition, the article seeks examples in the history of thought that corroborate this idea, as in the cases of Socrates, Galileo and Spinoza. The text will make some considerations about the transposition of this condition of the freethinker to the theater, as in Brecht's Galileo and Hölderlin's The Death of Empedocles. At the end of the article, we pretend to show that Nietzsche also had a conception of the free thinker as one who must become timeless and posthumous. (shrink)

Many of the computing systems programmed using Machine Learning are opaque: it is difficult to know why they do what they do or how they work. Explainable Artificial Intelligence aims to develop analytic techniques that render opaque computing systems transparent, but lacks a normative framework with which to evaluate these techniques’ explanatory successes. The aim of the present discussion is to develop such a framework, paying particular attention to different stakeholders’ distinct explanatory requirements. Building on an analysis of “opacity” from (...) philosophy of science, this framework is modeled after accounts of explanation in cognitive science. The framework distinguishes between the explanation-seeking questions that are likely to be asked by different stakeholders, and specifies the general ways in which these questions should be answered so as to allow these stakeholders to perform their roles in the Machine Learning ecosystem. By applying the normative framework to recently developed techniques such as input heatmapping, feature-detector visualization, and diagnostic classification, it is possible to determine whether and to what extent techniques from Explainable Artificial Intelligence can be used to render opaque computing systems transparent and, thus, whether they can be used to solve the Black Box Problem. (shrink)

This book has grown out of eight years of close collaboration among its authors. From the very beginning we decided that its content should come out as the result of a truly common effort. That is, we did not "distribute" parts of the text planned to each one of us. On the contrary, we made a point that each single paragraph be the product of a common reflection. Genuine team-work is not as usual in philosophy as it is in other (...) academic disciplines. We think, however, that this is more due to the idiosyncrasy of philosophers than to the nature of their subject. Close collaboration with positive results is as rewarding as anything can be, but it may also prove to be quite difficult to implement. In our case, part of the difficulties came from purely geographic separation. This caused unsuspected delays in coordinating the work. But more than this, as time passed, the accumulation of particular results and ideas outran our ability to fit them into an organic unity. Different styles of exposition, different ways of formalization, different levels of complexity were simultaneously present in a voluminous manuscript that had become completely unmanageable. In particular, a portion of the text had been conceived in the language of category theory and employed ideas of a rather abstract nature, while another part was expounded in the more conventional set-theoretic style, stressing intui tivity and concreteness. (shrink)

Contents: Foreword. Wolfgang BALZER and C. ULISES MOULINES: Introduction. José A. DÍEZ CALZADA: Structuralist Analysis of Theories of Fundamental Measurement. Adolfo GARCÍA DE LA SIENRA and Pedro REYES: The Theory of Finite Games in Extensive Form. Hans Joachim BURSCHEID und Horst STRUVE: The Theory of Stochastic Fairness - its Historical Development, Formulation and Justification. Wolfgang BALZER and Richard MATTESSICH: Formalizing the Basis of Accounting. Werner DIEDERICH: A Reconstruction of Marxian Economics. Bert HAMMINGA and Wolfgang BALZER: The Basic Structure of (...) Neoclassical General Equilibrium Theory. Klaus MANHART: Balance Theories: Two Reconstructions and the Problem of Intended Applications. Rainer WESTERMANN: Festinger's Theory of Cognitive Dissonance: A Structuralist Theory-Net. Rainer REISENZEIN: Wundt's Three-Dimensional Theory of Emotion. Pablo LORENZANO: Classical Genetics and the Theory-Net of Genetics. Hinne HETTEMA and Theo A.F. KUIPERS: The Formalisation of the Periodic Table. C. ULISES MOULINES: The Basic Core of Simple Equilibrium Thermodynamics. Thomas BARTELBORTH: An Axiomatization of Classical Electrodynamics. Author's Index. Subject Index. (shrink)